Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!). The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats they get to see the film and can also enjoy the unfinished comic in an exhibition.
2026年7月27日刊 总第4404期 “这个暑期档最好笑的真人喜剧” “编剧太敢写,导演太敢拍” “有深度也有温度,打工人表示有被爽到” 以上评价,均来自《年会不详情
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2026-07-27展开全文 详情
2026-07-27展开全文 详情
2026-07-27作者 李春晖 李诞对王濛的访谈直接推翻了硬糖君对当下访谈的印象。如果说之前的很多大热访谈是在“解释生活”,《互相关注》首期就是扎扎实实的“启示生活”。 越来越多名人在详情
2026-07-27